Looking for new subjects, abandoning, rejecting 'academic' approacheds.
Huge social changes. 19thC From rural to urban changes. - industrialisation (WW1) .
Need for realism is needed less. Photographs became more common (mechanical reproduction), paintings less important.
Pre-modernity
Unchanging pattern of life.
Stable identities - knew what class you where, knew where you were because of less travelling with no cars/trains/planes etc...'Limited world-view'
Modernity
Roles less stable
Greater social mobility
Cities - multiple influences, diverse pov, multiculturalism
'Who am I?' - through so many people. - fracturing of the self - sigmind Freuds psychoanalysis.
Development of Art
Picasso - les demoiselles d'avignon
Not real/fractured/straight lines of the body/ like african masks
Cubism - bottles and fishes 1910 more industrial/colours
Kandinsky - first abstract painting watercolour, 1910
Understanding of colours
Futurism - retallians/futurists
Boccioni - simultaneous visions, 1912
Hollistic Art - futuristic manifesto f.t marinetti, 1909
Fighting morality, feminism, destroy museums and libraries
Celebrate new tech
Luigi Russolo 'noise intoners' 1913
How do we percieve/frame music? - break away from tradition and creating something new from the environment.
'The art of Noises' - 1913
Picasso used non-art materials to create a collage
Raoul Hausmann - head 3d collage
Montage
Eisenstein - 'each sequential element is percieved not next to the other but on top of each other'
'The collision of independent shots'
The man with the movie camera 1929 - vertov
Communication of visual pheonomena - Without scenario and theatre
Primitivism
Matisse - music, 1910
Primitive/awkward - isolated from each other, own space
- dance, 1910
Stravinsky - the rite of spring, 1913
Traditionalists and modernists clashed.
Struggle between
consonance - agreement to harmony ir accord as long as its art
dissonance - lack of agreement or consistency; a disordant combination of sounds
Leger. The card players 1917
Mechanical bodies - explaining feelings of mechanics through image of body forms.
Duchamp - fountain, 1917
Absurdity of borgias values of ww1
L.H.O.O.Q
Oscar Schlemmer - The Triadic Ballet, 1922
New language of modernity, positive,
Language development of geometry.
Le Corbusier -
'A house is for living in' - vers une architecture 1923
- villa sabayelle
Movement from pre-modern to modern
CriticL and idealistic
Violent and poetic
Break traditional forms
Developeps into High modernist style - clarity, harmony, purity
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